As an eclectic artist, she balances her activity between roles of Répertoire (Mozart's Donna Anna in Don Giovanni, Argentine (Mme Zilberklang) in der Shauspieldirektor, Despina in Cosi Fan Tutte, Offenbach's Cupidon in Orphée aux Enfers and Fantasia in le Voyage dans la Lune, Micaëla in Bizet's Carmen, la Fée and le Petit Poucet in L.Aubert's La Forêt Bleue, Le Truchement in de Falla's Maester Pedro's puppet show), prestigious house like the Opéra Comique (Lisbé in Grétry's Zémire et Azor, La Cadette in Laruette's Cendrillon) or the Opéra de Lille (La Cugina in Puccini's Madama Butterfly), and a first hour comitment on the contemporary stage, where her vocal and physical skills (she is a 4th dan aïkido and has followed years of dancing classes) are truly shown .

Encouraged by Valérie Philippin, she has created a number of roles, like Mme C (La villa des morts d’Aurélien Dumont), Mme Smith (Jean-P. Calvin's La Cantatrice Chauve , F.Berreur, orchestre Lamoureux Théâtre de l’Athénée), the 2nd Shadow (La Folie d’Héraklès, C.Perton/Fabrizio Cassol, Comédie Française), May (Arnaud.Petit's La bête de la Jungle, orchestre Les Siècles dir. FX Roth), or the 2nd soprano (Francesco Filidei's Giordano Bruno,T&M, ens. intercontemporain, Casa Musica (Porto), Musica (Strasbourg), Teatro Valli (Reggio Emilia), Piccolo Teatro Strehler (Milan), T2G ). She also distinguished herself in Amsterdam:  first in the Muziektheater in 2014 as the Soprano of Claude Vivier's Kopernikus (Silbersee, dir. Bischoff, staged by M.Sijm), and with the l’AskolSchönberg Ensemble in the  Concertgebouw (John Adams's Gran Pianola Music), and again in Unsuk Chin's Cantatrix Sopranica (Gaudeamus Muziekweek).

She recently created the unique role of Mimi in Arnaud Petit/Alain Fleischer's I.D.  (Les Siècles orchestra) in the Théâtre du Nord (Lille),  and has performed in Homo Instrumentalis (Silbersee), where her interpretation of Luigi Nono's La Fabbricca Illuminata  (alongside Aperghis's Machinations, Kyriakydes's Ode to Man) has been praised by the critic (Ruhrtriennale, Muziekgebouw (Amsterdam), Biljoke (Gent), festival Musicà, Strasbourg, Opera Forward Festival DNO). She also interpreted Britten's Illuminations with element118, and Violetta in a Traviata created for the street and then played again in Paris and in a tour in Algeria.
She will create this summer "Repli Mobile", a new piece by Michel Fano and conducted by Bruno Mantovani, during the Messiaen Festival, and will create the new Arnaud Petit's creation, "Memories", with Les Siècles orchestra, in may 22.

For a year now she is a part of Ballets Confidentiels, first by performing Johanne Saunier's pieces in unusual places  (houses, Immigration museum of Paris, la Tannerie, Dag van de dans in Brussels), and then by creating her first pieces (/Ephemera for MFC's galery, Paris and Brussels, « the art of calling » for la maison du Peuple and the théâtre Poème, Brussels). She has created in the Scène Nationale d'Orléans her 1st stage creation, « dans un train/wagon-zac », which mixes lyrical art, contemporary creation, dance and literature (théâtre grand angle de Voiron, scène nationale d'Orléans, théâtre Garonne - european stage, Anis Gras) in which she also sing russian repertoire. The show has been post poned due to covid, and will be played in 2022 in the Théâtre Garonne - european stage and other french theaters. She is now working on a new Ballets Confidentiels project, "Doors", around de "Blue-Beard Castle" of Bela Bartok.
Ballets Confidentiels is associated artist with the Theatre Garonne - european stage (Toulouse)

Together with the stage, she is regularly invited to create recitals, contemporary pieces (A.Petit, A.Dumont, G.Schuemacher, M.Ungureanu, P.Criton), animates workshops, and leads a large reflexion about pedagogy.