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Eleonore Lemaire has created Renversements in march 22, to produce and help her different projects and crews. With them, she explores different roles (staging, concept, writing, composing), depending on her relationship with other artists. Since "en écho" in may 22 (ordered by Eric de Visscher - musicologist, for the Cité de l'Architecture de Paris during the European Night od Museums), Renversements has produced or coproduced around 15 different artistic forms

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BALLETS CONFIDENTIELS

Renversements produces multidisciplinary shows signed or co-signed by Eleonore Lemaire. Her first staging, "Dans un train / wagon-zac", has been supported by the DRAC Ile-de-France and coproduced by the Théâtre Garonne, the National Stage of Orléans, the Grand Angle and the Hexagone.

The actual art&science production, Mythèmes, mixes lyrical singing, contemporary dance, augmented harp, robots and paleontology, a meeting between Ballets Confidentiels, the visual artist Fabien Zocco, and the composer Arnaud Petit. It is supported by the Fonds Scan Rhône-Alpes, and coproduced by the Royaumont Fondation, the Grand Angle, and the Hexagone. It will be create during the Biennale Experimenta in February 25.

Mythèmes file

Mythèmes teaser

Mythèmes science&art seminar

Dans un train/wagon-zac file

Dans un train/wagon-zac short movie

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BALLETS CONFIDENTIELS

Meeting Johanne Saunier, choreographer, in 2018 on the Homo Instrumentalis production has been a true calling for Eléonore Lemaire, who has find an artistic soulmate. She is now performing for the Ballets Confidentiels, and signing her firsts creations for this compagny. Staging (Dans un train/wagon-zac), composition (Ephemera 1 et 2, the art of calling), dramaturgy (La Prisonnière des Sargasses), she allows herself to express her creativity in every form calling.

presentation file Ballets Confidentiels

"Dissociations", Catacombes de Paris

"chanter comme des oiseaux", work in Progress

"Ars Memoriae", Fondation Blan Brussels

"Territoires", different places

"Parcours Monique Wittig", Paris 14 & POTE festival

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L'INCUBATEUR D'OBJETS LYRIQUES DE PROXIMITE

Eléonore Lemaire has met Benoist Brumer in 2010 during a production of de Falla's "Master Peter's puppet show" staged by Benoist Brumer. From this time they begin an artistic collaboration which helped her explore on a long-term basis different sides of her artistic personality. They work together on the element118 project, and together they build small opera forms, now compiled in the Objets Lyriques de Proximité incubator, with their accomplices Laurent Bourdeaux (baryton) and David Ghilardi (ténor). Their pocket operas and recitals are played with great pianists friends (Frédéric Lagarde, Vincent Leterme, Jonas Atlan, Kazoo Iwashima), and they have a 10 years old friendship with the festival "les concerts d'Hiver" (Paris 19), organised by their friend Marco Avallone.

Traviata file

le 66 file

le directeur de théâtre file

Christmas gift from IOLP "années 20"

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AUTRES PROJETS

Following her meetings with other artists, Eleonore Lemaire , with Renversements, produces or coproduces different musical objects.

In 2024, Renversements coproduces the creation of "Quatre Chants pour un Miroir", a choreographed concert aria composed by Michel Fano and choreographed by Johanne Saunier, with the young Orchestre de Chambre de la Drome. Link

She works with the staging director Michel Giès and the pianist Frederic Lagarde on a lyrical cabaret "En avant mesdames - cabaret presque lyrique". Work in progress / artistic file

She regularly creates recitals with pianist friends (Vincent Leterme, Frédéric Lagarde, Anne Lamy). Renversements has produced in 2022 a hiking recital, "Zik Rando", for the Blesles festival

She has created with the trombonist Fred Lucchi a kid's show around Bizet's Carmen, with artistic workshops, and playing them since 2021 (19e quarter of Paris Conservatory)

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Joining Renversements

becoming a member

helping Renversements

contact

members access

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Renversements can create artistic projects thanks to some generous donors, and thanks to those cultural places (past and present)

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